· The sequence begins with an extreme close up of a knife, lying on a kitchen worktop. The camera pans over it slowly, while a mass of red, bloodlike liquid falls in slow motion over it and starts dripping down the side of the worktop.
· Then, also in slow motion, a hand reaches for the knife’s handle. When it touches it, the sequence starts to move at normal speed and slow music with a heavy pulse starts, along with the credits. As the camera pulls back, we realize the liquid is from a bottle of red wine, not blood and that this knife is being used to prepare dinner.
· As the credits go along, the words are in an unusual, deformed font, we see the woman preparing dinner but we don’t yet see her face. When she chops things up, the sound is emphasised and we focus on the knife coming down.
· The credits and title sequence end with the sound of the doorbell and there is an extreme close up of her eyes shifting slowly towards the door. Then there’s the sound of a slamming door, where the screen goes black and the name of the film comes up.
Within the group, we decided to start at the end, using in medias res narrative to gain the audience's interest and to create enigma, as the film will start in the investigation room with the woman being questioned. As she's being questioned, flashes of the things that she has done comes up on the screen, such as dead bodies and pools of blood but instead of telling the police about it, she lies or stays quiet. Then, when the titles start, there begins a montage of important clues and crime scenes, influenced by the title sequence as Se7en.
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