Wednesday 12 May 2010
Textual Analysis - Opening credit Sequence of Watchmen
Feature film recreation of the highly successful Graphic novel ‘The Watchmen’.
The sequence begins with a non-diegtic song playing over the top of the shot that’s slowly being revealed. The song ‘The times they are a changin’ By Bob Dylan is this particular track that we can hear.
The slow fade in reveals a mid shot of a masked vigilante punching an armed crook in the face, the setting is a 1950’s esque setting with bystanders in suites and glamorous dresses stand watching as the paparazzi snaps the shot as the brawl ensues. The shot is shot in extremely high slow motion as the characters on screen’s action eventually become visible as the camera continues to track backwards. This use of camera work and editing style flow perfectly together as it enables the audience to capture every last detail of what is going on in the shot, completely immersing them in the action and setting in which this particular event is happening. In the background of the set you can see very early posters of the Batman comics, this being an intended reference or tribute as it were, to another great graphic novel turned movie, additionally in this shot the films title and main colour ‘theme’ is yellow, which is apparent throughout the opening sequence as the credits appearing are displayed in a classic comic book style and in bright yellow, creating a continuous theme for the movie and making it essentially the dominant colour.
The next 2 shots follow similar traits with paparazzi being on scene with the extremely smooth flow of mid-shots and slow motion revealing the full troop of vigilantes from the that era, these vigilantes being known as ‘The minutemen’.
As the opening sequence progresses, the timeline moves forwards through the ages until present day, showing key events in world history, such as the Kennedy assassination and the Hiroshima bombing, although a slight twist being put on these events as 2 different members of the ‘Minutemen’ are shown to be the people responsible.
Bob Dylan’s track continues to play over the shots as they change through the times, creating an atmosphere of a ironic peace and tranquility as the shots displayed mainly show the dramatic fall of the minute men and then re-creating the iconic shot of the old vigilante cast the new team, ‘The watchmen’, pose for their group photo but without paparazzi attention and the glamour of being a crime fighting hero lost to the ages.
The editing style that is used is an editorial trait used by Director Zack Snyder in which he uses extremely high definition super-slow motion shots to build a bridge between a still photo and a moving image, a photo can be analyzed forever, but a moving image only lasts for that brief moment in time and when it goes faster it becomes less immersive, if it is played so slowly then it can be fully admired for the masterpiece it is, whether that being the detail and authenticity of the set or the moment the camera is capturing.
Tuesday 11 May 2010
Sunday 11 April 2010
Analysis of Mise-en-Scene
Saturday 10 April 2010
Evaluation
Question 2. How does your film opening represent particular social groups?
Question 3. What kind of media institution might distribute your film and why?
Question 4. Who would be the audience for your film?
Question 5. How did you attract/address your audience?
Question 6. What have you learnt about technologies from the process of constructing this product?
Question 7. Looking back at your preliminary task, what do you feel you have learnt in the progression from it to the full product?
Monday 5 April 2010
Evaluation
The title of the film, font and style.
The chosen style for the title has been kept simple, as shown in the first frame above and in the middle. It has been kept on a plain black background as found in most adaptations of graphic novels or films in similar styles which inspired this film, such as shown in the example thumbnails:
Although there is a trend following red titles on black, we have decided to keep out titles white with a grey background to resemble white chalk. The font used also relates to the title 'Chalkboard' as the style is very 'crumbly' yet solid like the material chalk.
Setting/Location
The second frame shows the location for our opening which is the main characters dining area in her 'house' in the film. The choice for location was simple; we wanted to make it seem more realistic to the audience so we thought to use a place that everyone is familiar with such as the dining room rather then somewhere such as a Field, football pitch or any particular environment that we would not commonly come across in day to day life. This was inspired by the likes of the famous shower scene from the film 'Psycho' (click here for a reminder of the scene). The thought of being attacked in a place of comfort is more of a chilling thought for many as its least expected.
Costumes and props
There is a relevantly common use of particular props and costumes in thriller films, making it a typical media convention. The next frame shows the chalkboard, one of the most significant props out of the many we used. In thriller films, especially if there is some form of enigma, props play a big part in creating this atmosphere and mystery. We used various props that can be commonly associated with a horror/thriller such as fake blood, knives, gloves and so on. Our character is dressed in smart business wear (suit, shirt and trousers) as her costume which connotes power and authority. As with many thriller films its not uncommon to see the pro/antagonist dressed in formal wear as this sets the more 'serious tone' of the genre. A good example, as found out from my research is the main characters from Se7en. Click here to see image.
Special effects used
Originally we were going to create a similar effect that Frank Miller uses in his films (click here for screenshot of sin city), where everything is in high contrast and a certain colour has been picked to stay throughout the film (usually red). However, due to the nature of the actress's hair colours and furniture being tinted red, this proved to be difficult to achieve on the software Final Cut Pro. Some contrast has been added to our final product but it was limited as we decided to keep details clear, which turning the contrast up would have taken away. Our final product has been presented in black and white to keep the old fashioned yet classic thriller feel.
Genre and how its suggested
The bottom left frame shows a knife lying on blood stained material; this has been chosen as it represents the 'horror' aspect from our thriller as it suggests murder, harm and stirs up emotions of fear and terror which a typical horror should. The 'thriller' genre is suggested through the voice-overs of our detective, who speaks in a very gritty confident tone that is common with detectives in thriller films.
How characters are introduced/established
The main character is introduced by first only just concentrating on her eyes which are closed until the very end of the opening. By this, suspense is created and the audience are left wondering about our main character until a bit more is revealed after the title. As seen in the bottom middle frame, her eyes open and the camera zooms out to show her sitting in smart attire, drinking wine next to a corpse covered in blood. This connotes to our audience that she is calm yet powerful. The cut-aways show various clues to our character and her personality (as shown in the middle right frame) as words are presented to our audience such as jealousy. We took inspiration from the opening credits of Se7en;
Story and how the opening sets it up
As show in the last frame and mentioned above, our opening was inspired by Se7en, in which a serious of 'clues' about the story are presented in short shots. Blood stained notes, documents on handling issues such as jealousy, weapons, stories where 'i win, you loose' have been highlighted and of course the writing on the chalkbaord itself help create enigma as well as slowly unravelling the story without giving too much away. Like a typical thriller, the voice overs suggest that she is being questioned and the role of a detective is introduced.
In our opening sequence, we decided to contradict the stereotypical roles of antagonist’s/protagonist’s within thriller films by casting a middle aged female as the main character and also the villain, (a slight cross between the role of Anthony Hopkins role as ‘Dr. Hannibal Lecter’ and Catherine Zeta-Jones’ role in ‘Chicago’), thus we challenged the stereotypical conventions of both a male and female role’s within the media and more specifically a thriller film.
The male is generally displayed as the dominant, heroic and powerful character within thriller films and the female being the Damsel in distress, but we decided to create a complex and intriguing combination of a thriller that focuses on a middle aged female villain. As stated in our proposal, the main character is a powerful businesswoman living a content life with her husband and she’s at the top of her game in terms of her success at work. Until, that is, she discovers her husbands cheating secrets, which causes her to lose her mind and go on a merciless, murderous rampage, killing her husband and his lovers, but in doing so it leads to her killing all those who have caused her pain in her life.
Therefore furthering a contradiction of the stereotypical female role within thriller movies, by turning the gender roles upside down, we can display women as strong independent women, for example in Movies such as Quentin Tarantinos ‘Deathproof’ And Russ Meyers ‘Faster, Pussycat! Kill! Kill!’
But both of these films have both shown females vulnerabilities and these being their emotions and sensitivity; though appearing strong, a female’s actions tend to be far more emotionally driven and in our thriller, our character follow this given stereotype and is driven by pure emotion, pure misery and distress which leads to her breakdown and psychopathic rampage.
The media institution I would chose to distribute my media project would be Film4, the reason being that they have an outstanding track record for funding and distributing a number of low budget independent British movies within the UK and now internationally thanks to the success of the production behind US director Kevin Smiths indie classic ‘Dogma’ and the hugely successful ‘slumdog Millionaire’
The idea of using a huge well established American production company such as Universal would not cross my mind as it would be a very bold move to ask them to help distribute a short, low budget, British film.
This Beverley Lang, 31 year old single mother of two living in the city. She runs her own business selling herbal remedies and other organic produce in a small store. On a daily basis she dresses smart in business wear and keeps up her professional appearance. She enjoys the occasional shopping trip or dinner date with her female friends in town. She is confident and assertive. Her taste in films consist of action, adventure and thriller as she enjoys suspense and upbeat paces similar to the people we interviewed and carried out our surveys with. As our film is a suspense thriller, it would appeal to her. Her typical favourite films include the likes of se7en, Goodfella's, American psycho, sin city, watchmen and silence of the lambs. As well as enjoying big movie titles distributed by well known companies, she also enjoys independent film labels such as the ones typically shown on movie channel 'Film 4'. It may be to her convenience being busy business woman with a family to watch films in the evening after work and when her children are asleep to watch films on the television or on DVD.
I believe this is a typical audience member in which our film would appeal to, a middle-aged woman who has had time to experience the ups and downs of life with issues to do with a partner, work, health and daily life as she will be able to empathise and understand our main character better then, for example, a young man.
The camera which we have used is the following:
The camera we used was a Canon XM2, which features:
• ¼” 470K pixel 3CCD with pixel shift
• Canon Professional L-Series Fluorite Lens
• 20x optical zoom/100x digital zoom F1.6
• Optical image stabiliser with VAP
• Direction accurate stereo microphone
• Two-channel audio level manual control
• 2.5” 200K colour LCD/0.44’ 180K colour VF
• Three shooting modes: normal, photo, frame movie
(Information taken from a search on the cannons official website)
As we did not use any sound recorded, we did not have the worry of capturing any unwanted sound however if we wanted to achieve the effect of creating background noise for our footage as apposed to having a soundtrack play over the footage it would not have been the best of quality.
We used various software on Windows and Mac computers as well as websites to help us with this project. Below is a mood board to demonstrate.
Google - Search engine we used for finding websites
Microsoft powerpoint - Used to create powerpoints mainly for visual demonstrations
Microsoft word - Drafts of written work created here such as questionnaire
Final Cut Pro - Used to edit our footage for the film such as cutting clips, slow motion, transitions of frames, adding sound and etc
Compressor - Was used to compress our final piece and took care of the encoding
Bing - Was used as a search engine for any images needed as it provided a better visual search
Youtube - Was used to research soundtrack and view any tutorial videos as well as upload our own movie
Hotmail - This was our means of communication and sending any documents etc
Adobe Photoshop - Used to create/edit any images
Audience Feedback
The opening sequence of 'Chalkboard' Held my interest thoroughly throughout as it maintained a simple and satisfying flow of non-digetic audio and simplistic editing styles. the jump cuts back and forth as the sequence continues allowed the pace of the credits to become that more effective as they jump onto screen shaking violently against a black background. I felt it worked well and kept me interested throughout, especially with several shots of particular documents with words such as 'jealous' appearing on the screen.
I also enjoyed the use of extreme close ups of the female's eyes as they brought a real sense of enigma and mystery to the sequence.
The only real fault i could pick out was the lack of a buzz track for the voice over, when the voice over cuts in you can hear the static of the recording also.
but other than that it was well shot, well casted and edited.
- Eddie Mitchell
Rating for our film
"Works which feature the following
are likely to receive more restrictive
classifications: portrayal of violence
as a normal solution to problems,
heroes who inflict pain and injury,
callousness towards victims, the
encouragement of aggressive
attitudes, and content which depicts
characters taking pleasure in pain
or humiliation."
The above extract has been taken from the BBFC website (click here to view) while searching for the approriate rating to give our film.
Our film has themes of violence right from the very start due to 'weapons' such as knives and 'blood' covered surfaces. The BBFC guidlines state that any film or video game containing strong scenes of violence is given the rating of '18' as it is only suitable for adults.